Posts tagged ‘music’

May 23, 2011

easter hymn: window in the skies by U2

This is my commandment, that you love one another as I have loved you. Greater love has no one than this, that someone lays down his life for his friends. You are my friends if you do what I command you. — John 15:12-14 (ESV)

If I ever have the opportunity to plan an Easter service, it will end with this song. The whole entire congregation singing it together. There’s a good chance we exceed the 4:02 runtime of the album version, however. When a song is this perfect for the occasion — in tempo, in tone, in imagery, in paradigm — you want to dwell in that for a minute.

As a contained Easter liturgy, I love how Window is set up. The first verse calling us to worship,
The shackles are undone
The bullet’s quit the gun
The heat that’s in the sun
Will keep us when theres none
The rule has been disproved
The stone it has been moved
The grave is now a groove
All debts are removed

The second verse as dance,

Love makes strange enemies
Makes love where love may please
The soul and its striptease
Hate brought to its knees
The sky over our head
We can reach it from our bed
You let me in your heart
And out of my head

The third verse as confession,

I know I hurt you and I made you cry
Did everything but murder you and I
Our love left a window in the skies
And to love I rhapsodize

The final verse as a word of hope,

Oh can’t you see what love has done
To every broken heart
Oh can’t you see what love has done
For every heart that cries

Love left a window in the skies
And to love I rhapsodize

You’d be hard pressed to find a better modern Easter Liturgy.

Renew and Restore

May 16, 2011

guest post by adampaul…easter hymn: walk alone by the roots

For this week’s Easter Hymn I invited my man Adam to write the first ever guest post for the site. You should check out his site and follow him on the Twitter. There’s no official video for Walk Alone, but you can check a fan video here.

In the late 2000s The Roots crew took a turn from their usual upbeat and jovial tone to a more harsh and political one. Their 2006 and 2008 albums, Game Theory and Rising Down, were overflowing with criticism and frustration with the Bush administration, and the story their albums told became dark and angry.

But in 2010 they had somewhat of a resurrection – not a resurrection in the sense that their careers were dead and suddenly they were successful again, but more due to their musical sound. Last June, they released their aptly titled How I Got Over which brought back some of their older vibes, but kept their social justice driven mindset. The first three tracks on HIGO are the transition from dark to light; the dark feel is still somewhat present in the minor chords and soft brushed percussion, but the harsh political lyrics have begun to morph into curiosity, philosophy and theology.

This feeling of a “resurrection” is reinforced through the subject matter during these transitionary tunes. Track two is titled “Walk Alone”, and it begins the conversation on the other side of darkness. The song features verses from Truck North and P.O.R.N. and a chorus by Dice Raw, but it’s The Roots’ own front man, Black Thought, who brings it home in the third verse. It starts:

The longest walk I’ll probably ever be on

The Road to Perdition, guess I’m fin’ to get my plea on

I pray these wings strong enough to carry me on

I promise every second felt as if it took an eon

Walking like the lost boys of Sierra Leone

The trail of tears what they got me like a Cherokee on

Between the ears something I require therapy on

For working to the bone like my name Robert Guillaume

 

I go above and beyond, the duty called, truly y’all

Even though they kind of blew me off like a booty call

Asked me if I’m just another moolie or a movie star

Forced to face the music like a graduate of Juilliard

Walk alone, talk alone, get my Charlie Parker on

Make my mark alone, shed light upon the dark alone

Get my sparkle on, it’s a mission I’m embarking on

A kamikaze in the danger zone far from home

If How I Got Over is a resurrection for The Roots, then “Walk Alone” is their Good Friday. In Matthew 26, we find Jesus and his disciples at Gethsemane. Jesus is fully aware that Judas is about to show up and betray him into the hands of the Romans:

Then Jesus went with his disciples to a place called Gethsemane, and he said to them, “Sit here while i go over there and pray.” He took Peter and the two sons of Zebedee along with him, and he began to be sorrowful and troubled. Then he said to them, “My soul is overwhelmed with sorrow to the point of death. Stay here and keep watch with me.”

 

Going a little farther, he fell with his face to the ground and prayed, “My Father, if it is possible, may this cup be taken from me. Yet not as I will, but as you will.”

 

It is in Gethsemane that we hear Jesus singing Black Thought’s lyrics as he leaves his disciples behind to watch. His prayers to God are desperate. We are allowed a rare glimpse into Jesus’s humanity here. Jesus is praying for God to take his cup from him: I pray these wings strong enough to carry me on.

 

Never has there been or ever will be a more unjust execution. A man with no sin is about to be brutally beaten and marched to his death. In Black Thought’s lyrics we get images of child soldiers and displaced Native Americans as people unjustly forced to walk. But Jesus can relate:

 

Isaiah 53:7-8

 He was oppressed and afflicted,

   yet he did not open his mouth;

he was led like a lamb to the slaughter,

   and as a sheep before its shearers is silent,

   so he did not open his mouth.

By oppression and judgment he was taken away.

   Yet who of his generation protested?

 

We even get a glimpse into the triumphal entry. Jesus was just celebrated less than a week before – people thought he was the dude who would save them from the Romans – but now he’s about to be arrested and murdered for nothing. Comparing Jesus to a booty call? Sketchy territory here. But the concept is a valid one – treasured one day, tossed to the curb the next.

 

“Walk Alone” finishes with a nod to God’s plan: Jesus is on a kamikaze mission to shed light upon the darkness of the world. The Roots (knowingly or unknowingly) have mimicked the story of holy week in this verse. Jesus alone is the one who saves us from darkness. While the Roots are working their way out of the darkness themselves, they do so in the same way that God does it for the world: through the journey of Jesus Christ.

-apc.

May 11, 2011

bob marley, war & the eloquent wisdom of emperors

Today is the 30th anniversary of Bob Marley’s passing. While his music hasn’t been an integral component of the soundtrack to my life, I respect the effect his music has had on hip-hop. My interest in Marley’s music was piqued a couple of months ago when I was doing some digging around on the history of Ethiopia. I came across numerous sources explaining that Marley’s song “War” is essentially an excerpt from Ethiopian Emperor Haile Selassie’s address to the United Nations on Oct 6, 1963.

…until the philosophy which holds one race superior and another inferior is finally and permanently discredited and abandoned: That until there are no longer first-class and second class citizens of any nation; That until the color of a man’s skin is of no more significance than the color of his eyes; That until the basic human rights are equally guaranteed to all without regard to race; That until that day, the dream of lasting peace and world citizenship and the rule of international morality will remain but a fleeting illusion, to be pursued but never attained; And until the ignoble and unhappy regimes that hold our brothers in Angola, in Mozambique and in South Africa in subhuman bondage have been toppled and destroyed; Until bigotry and prejudice and malicious and inhuman self-interest have been replaced by understanding and tolerance and good-will; Until all Africans stand and speak as free beings, equal in the eyes of all men, as they are in the eyes of Heaven; Until that day, the African continent will not know peace. We Africans will fight, if necessary, and we know that we shall win, as we are confident in the victory of good over evil…

From what I’ve read, Selassie is an interesting character. And quite frankly, I’m not entirely sure what to make of him in total. But that speech (which is attributed to one of Selassie’s speech writers) holds its own against just about any civil/human rights speech I’ve come across. These are words born out of the struggle, and they challenge us to more forward constructively in both philosophy and action. They are words that plea for us to understand that the injustice that affects one affects the masses. The words plead with us to not be content if our own existence is peaceful, but to instead not rest until all know peace.

I can get behind that. I’m thankful that it resonated with Marley enough for him to keep the words alive through his music, and that others continue to reimagine his creative interpretation of this important speech.

Renew and Restore

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May 2, 2011

easter hymn: dead and gone by T.I.

If you’re wondering why I’m (a) still talking about Easter and (b) using a rap video to do it…well, welcome to the party. Rewind it back about a week, and it’ll all make sense.

Easter is about life. It’s about celebrating that Christ lives and makes a definitive statement about the sovreignty of God by conquering death and sin. And it’s also celebrating that we’ve been invited into that present reality as well as that new eternity.

There’s a process in getting to the place where we can really celebrate, however. It starts with the realization that things are skewed. Our self-identity, our way of being, our orientation to God…it’s off. In T.I.’s case it’s that ‘hood mindset that propogates a cycle of violence. In your case it’s whatever it is. I can’t tell you specifically, and even if I could you wouldn’t want me to display it for the public record in this space. But the journey into the robust reality (or: into the compelling story) that God has for us starts with that self-awareness coupled with God-awareness.  Apart from a healthy dose of either of those elements it’s tough to find our way back home.

So if anyone is in Christ, there is a new creation: everything old has passed away; see, everything has become new. –2 Corinthians 5.17 (NRSV)

1You were dead through the trespasses and sins 2in which you once lived, following the course of this world, following the ruler of the power of the air, the spirit that is now at work among those who are disobedient. 3All of us once lived among them in the passions of our flesh, following the desires of flesh and senses, and we were by nature children of wrath, like everyone else. 4But God, who is rich in mercy, out of the great love with which he loved us 5even when we were dead through our trespasses, made us alive together with Christ*—by grace you have been saved… –Ephesians 2.1-5

Renew and Restore

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April 25, 2011

easter hymn: jesus walks by kanye west

It all started as a joke. I walked out of my office on Thursday and announced to anyone who was around that I was pumped for my solo at church on Easter morning. And then I proceeded to bust into the chorus of Jesus Walks. Chuckles and head shakes all around. Nobody’s shocked. Everyone’s amused.

Once I had that out of my system, it was time to get back to work. I retreated back to my office, set Jesus Walks on repeat and continued with the project I had been working on. But the more I listened to the song, the more it made sense. It really is an Easter hymn. The imagery. The themes. Even the theology of the song. Certainly some of the language and the fact that Kanye carries a lot of baggage keeps me from actually being able to sing it in church.

But this site ain’t no church.

Easter is not just one day. You knew that, right? Of course you did. Because you know that on the liturgical church calendar Easter Sunday kicks off a seven week Easter Season that runs all the way to Pentecost.

Here’s an idea: What if we spend time exploring music that embodies the themes of Easter today, and each of the next six weeks? It’s an idea inspired by a talk my friend Aaron gave last month about art and the prophetic witness in worship. It’s an idea inspired by my crazy notion to someday write a dissertation or teach a class on the Theology of Hip-Hop. It’s an opportunity for me to see if such an exploration will be received by the community as refreshing or heretical.

(Jesus Walks)
God show me the way because the Devil trying to break me down
(Jesus Walks with me)
The only thing that that I pray is that my feet don’t fail me now
(Jesus Walks)
And I don’t think there is nothing I can do now to right my wrongs
(Jesus Walks with me)
I want to talk to God but I’m afraid because we ain’t spoke in so long

To the hustlers, killers, murderers, drug dealers even the strippers
(Jesus walks with them)
To the victims of Welfare for we living in hell here hell yeah
(Jesus walks with them)

29And Levi gave a big reception for Him in his house; and there was a great crowd of tax collectors and other people who were reclining at the table with them. 30The Pharisees and their scribes began grumbling at His disciples, saying, “Why do you eat and drink with the tax collectors and sinners?” 31And Jesus answered and said to them, “It is not those who are well who need a physician, but those who are sick. 32“I have not come to call the righteous but sinners to repentance.”–Luke 5.29-32 (NASB)

Yeah. ‘Ye nailed that, lyrically. But I love the visuals in this version of the video just as much, if not more. Jesus never leaving ‘Ye. Faithfully pursuing him. Going places that the church won’t go and manifesting power through images that amount to modern-day accounts of the stories we read in the Gospels.

There’s very much a sense of the embodied Easter there. A question of what difference it makes in this life if Jesus really did conquer death and everything that encompasses. A question of how well the community is doing ministry like Jesus did ministry, and amongst the types of people Jesus ministered to. You may bristle, or you might find yourself invigorated, but I’m convinced there’s a prophetic message in the art here. And I’m convinced we can find other prophetic messages if we listen intently enough.

Renew and Restore

December 16, 2010

tempted to break the rules

I have rules.  No sweater vests unless the high temp is 70 degrees or lower.  No sweaters unless the high temp is 55 degrees or lower.  No Christmas music before Thanksgiving.  A long time ago I learned that you’re gonna learn to discipline your image. You think I got where I am today because I dressed like Peter Pan over here? Nope.

This year I was very tempted to break one of my rules.  On Oct 12, Mike Crawford and the Secret Siblings dropped an album to raise funds for the church’s Advent Conspiracy fund.  The double album that these cats released a couple of years ago is one of my favorite albums ever.  Thus, I was bummed when the rumored 2009 release of the Advent album didn’t materialize.  And the wait was on with hope that the album would drop in time for Advent 2010.

Good things come to those who wait. It took a lot of restraint, but I did wait until Thanksgiving to finally indulge in this album.  And boy, is it fantastic.

But that’s just my opinion.  There’s a chance you won’t dig the album. Even a good chance. I can think of two reasons it might not tickle your eardrums right off the bat.

  1. Only three of the album’s ten tracks are traditional Christmas carols – I’m good with that.  I’ve been in the process of reimagining Advent for myself over the past couple of years, and I appreciate the original tracks as well as the more obscure Christmas cuts on the album.  But Christmas carols are like comfort food.  We tend to gravitate toward them because they elicit an emotional reaction that we suck up to capture positive memories we have of Christmas seasons past.  It’s fine.  But you won’t get that fuzzy Christmas crack feeling from this album.
  2. Some may think the album is over-produced – I heard this complaint a couple of times regarding the last album that Crawford and the Secret Siblings released.  Mostly it came from people who worshiped at Jacob’s Well and were used to the less-produced live sound of the worship sets there.  You couldn’t take the last album and recreate the same sound in worship.  The tracks were layered and had an experimental sound to them. I appreciated that sound as it pushed the envelope and was a very different sound compared to a lot of the worship albums out there.  This Advent album has a similar vibe.

I don’t mention those two points to turn you off to the album.  Just to give you realistic expectations going in.  The good news is that you can legally stream the entire album for free, and then purchase either a download or physical copy if you dig it.

It’s going to take a lot of self-discipline for me to not rock this album year-round.

Renew and Restore

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December 15, 2010

down to the 4th verse

Last Sunday we sang Joy to the World at church. Probably not my favorite Christmas hymn.  But then again, my favorite is Lo, How a Rose, which isn’t exactly burning up the charts. I might not have my finger on the pulse of popular Christmas music.

But this JTTW.  We’re singing through it and we get down to the fourth verse.  I’d heard the fourth verse before.  Sang it before.  But looking at the words in the hymnal they smacked me. f

I’ve been pondering the links between nationalism, patriotism, religion and spirituality as of late.  Trying to figure out how I really feel about those links, and how I’d can articulate those paradigms.  And this verse gave me some serious food for thought.

He rules the world with truth and grace,
And makes the nations prove
The glories of His righteousness,
And wonders of His love,
And wonders of His love,
And wonders, wonders, of His love.


Interesting.  A couple of questions this raises:

  • What does it look like for us to use our power the way Christ uses his power, specifically to rule with truth and grace?
  • What would it look like if our nation proved the glories of Christ’s righteousness as well as the wonders of Christ’s love?

Hymns aren’t scripture, but we’ve been singing that one since the early 1700′s so it must be of some continuing value.  And as much as Christians throw around the line about America being a Christian Nation, this hymn give us something to ponder as we look to put reality behind those words.

Renew and Restore

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November 5, 2010

hip-hop as a reflection of america’s journey toward post-racialism

Last night I tweeted that I can NOT get enough of this commercial. That’s probably an understatement. It’s in the running for my favorite commercial ever, a title that I don’t just throw around carelessly. But seeing as though every time I see it I join with everyone in giving Dr. J a standing ovation, there is something special about this one.

It took me a while, but I finally figured out the main ingredient that makes the ad appeal to me so much: the perfect melding of the different aspects of hip-hop culture.  Hip-hop and basketball have always been connected, so that one’s easy.  And bringing in the visual representations of rhythm was smooth.  But the real insight of the director was to fold in the biking/skating/rock relationship with hip-hop.

That relationship has existed for a long time.  Aerosmith and Run DMC.  Puffy’s Benjamins remix. There’s a pretty extensive list there.  But it’s really been a mostly one-way street over the years of hip-hop influence flowing into social circles typically dominated by white people.  But it seems as though over the last decade there has been a bit more of an exchange of ideas, as can be seen in the fashion trends in hip-hop as well as in some of the musical stylings.  Look, I’m not contending that hip-hop is postracial.  I’m just noticing that as American youth move more toward a post-racial worldview, hip-hop is coming along for the ride. Both hip-hop and America have a ways to go until they are truly post-racial, however.

But you see the movement in projects like the upcoming collabo album put out by Travis Barker. Dude has some serious heavies on the record, including RZA, Raekwon, Rick Ross, Ludacris, E-40, The Cool Kids, Yelawolf, Snoop Dogg, Lupe Fiasco, Pharrell, Clipse, Game, Bun B & Weezy. That’s more than a token cameo there.

Now the other thing that makes this commercial spectacular is it’s treatment of one Dr. Julius Erving. Everything about it from the mysterious hood, to the clean white suit that matches his white hair, to the big reveal, to the ball passing, to the Dr. J swag strut.  Dude looking like a straight bball Jedi. It’s all so money.

It’s so intoxicating that I’ve found myself strutting around campus whenever the song gets stuck in my head. Too bad I’m not nearly as dope as the Dr.

You know what else is too bad? The fact that this commercial gets played rarely, while the three worst basketball shoe commercials ever made (yeah, I’m looking at you, Derrick Rose, Dwight Howard, and the Malone/Jabaar duo) are run incessantly. Lame.


Renew and Restore

October 27, 2010

wednesday watchlist: my daughter’s infinite playlist

My daughter has inherited many traits from me.  Perhaps our greatest bond in life is our love for music, and our habit of incessantly singing the songs that are running through our minds at any time.  Our house is like a family-friendly version of Glee.  It’s fantastic.

The current list of songs in my daughter’s aresnal include:

  • Any Song from the Wizard of Oz – When it comes to TV, preschoolers have little need for variety.  They thrive on the familiar.  The lady who watches our kids has kids of her own that are close in age to E and Z, and they watched The Wizard of Oz every day for the better part of two months.  It’s possible that E knows as much about The Wizard of Oz as I do about Star Wars.
  • Some songs from Mary Poppins – In the last week, however, the kids have decided that they prefer Poppins to Oz.  E is still working on getting all of the songs down, but she’s making headway.  It’ll be a sad, sad day when she can pronounce “supercalifragilisticexpialidocious” correctly.
  • Whip My Hair by Willow Smith – This one got into the rotation in a roundabout way.  The new Sesame Street video celebrating Black hair had been making the rounds on the internet.  Then, @questlove posted the REEEEEEEEEMIX!?!?!?!?! on Twitter, and it totally got stuck in my head. Now it’s a family anthem.  E and I start singing it, and then Z starts grunting and thrashing his head around.  The first time we did this in front of my wife it was at the dinner table, and it caught her a bit off guard.  It was awesome.
  • Han Solo by MC Chris- I think E’s mother taught her this one.
  • Bad Romance by Lady Gaga – One night I got hooked on Sam Tsui’s Youtube videos.  The Lady Gaga Medley is my favorite, and E is drawn to the nonsensical Bad Romance section.

The one song not on this list that I’m going to make sure E learns comes from a video my friend Sam L. posted on my Facebook Wall…

Renew and Restore

 

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October 4, 2010

music monday: the roots are amazing

You may or may not be tired of me gushing about The Roots.  Fair enough.  I’ll make you a deal.  When The Roots stop taking part in projects that are totally awesome, I’ll stop falling all over myself to gush about them.  But as of right now they are the epitome of awesome, so Imma* just gush away.

*I’ve been trying to decide how much slang I’m going to include on this site.  It’s not entirely professional.  But at the same time, it is authentic to my voice.  I’ve settled on evaluating it’s appropriateness on a post-by-post basis.  And if anyone five years in the future stumbles upon this while researching and validating my credentials for admission into your PhD program, please know that in an academic dissertation I fully understand that slang should never be used. K, thx.

The video above speaks for itself. My wife even asked for a repeat viewing the first time I showed it to her.  It’s the perfect mix of cover, creativity and cute (ie Fallon desperately needing an inhaler for the entire second half of the performance). If I had been in the studio audience that night, I might have very well exploded with joy.  I personally enjoy Fallon’s show, but I understand why some don’t get it.  It’s certainly hit-or-miss.  But this segment was a resounding hit, and I give The Roots crew a lot of credit for their role in putting it together.

As long as we are working backward here, the Roots also deserve kudos for their recent collaboration project with John Legend.  The fellas got together to put together the Wake Up! album, which is a collection of ‘reworked cover tracks of activist rhythm and blues songs from the 1960s and 1970s’.  A cover album doesn’t sound all that appealing, but they did this one right.  They found the perfect mix of capturing the original flavor of the songs while at the same time reimagining them for a new decade.

Wake Up! once again showed The Roots strength as a band.  It’s evident when they back up artists of all genres on Fallon.  It was evident when they were the band for Jay-Z’s Unplugged album.  If it were up to them to single handedly legitimize and redeem hip-hop (which isn’t the case), they could do it.  They’re just that good.

The one shocking thing about how good Wake Up! is has to do with the timing of the album.  The Roots are busy.  They don’t even have time to get out and tour.  And yet, they were able to put together a fantastic album just a couple of months after the release of their last album.  An album that, I must admit, I thought was never going to be released. There’s something about 8 months of delays that will make a guy pessimistic.

In the end, patience paid dividends.  When The Roots finally released How I Got Over, we were given a great album.  It’s a different kind of Roots album, but a good kind of different.  Black Thought is incredibly transparent and introspective on this album.  Muscially and lyrically the album just feels very…mature.  There is some experimenting going on but not so much as to turn people off by straying too far outside the box.

Interestingly enough, the album didn’t get great reviews.  I find the lack of kudos disappointing.  A lot of white people my friends critique The Roots for being “too angry”, and this album steps back from that a bit. It’s more tempered.  It’s still prophetically forthtelling, but it’s more neuanced than the last couple of albums.  Apparently that’s not good enough for the critics.  Look, The Roots don’t make radio hits.  I can’t blame them.  When you start doing that, you start getting mentioned in Mylie Cyrus songs.  Nobody wants that.

Whatever.  Haters gonna hate.  And Imma keep bumpin The Roots.

Renew and Restore

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