Posts tagged ‘music’

September 22, 2010

wednesday watchlist: favorite ‘party in the usa’ covers

I still remember where I was the first time I heard Party in the USA by Miley Cyrus. I had heard of the song and of the different episodes of Miley and Billy Ray adopting the Britney Spears plan for self-destruction fame and fortune. But then this really catchy song came on the radio as I sat at the corner of Linwood and Prospect in KCMO.  I found it humorous that some teeney-bopper was invoking the name of Jay-Z, but whatever.

Come to find out the catchy tune was Party in the USA. I didn’t think much of it again until I came across an acoustic cover while checking out various acoustic covers on Youtube one day.  Just a little hobby I’ve developed. Apparently, every creative person with access to a video camera and the internet realized that Party in the USA had the potential to be harnessed for comedic purposes.  Gotta love the internet.

After extensive research, I’ve compiled my shortlist of my favorite covers of Party in the USA. This is patriotism at it’s finest, folks.

  • KurtHugoSchnider – This particular rendition is so deliciously awkward.  Something about two guys rocking the duet ballad is hilarious, and does a lot to expose the redonkulous nature of the song.
  • Daniellesmagic – Yep.  That’s a banjo.  And a string bass.  And an accordion.  The whole thing is very bluegrassy, and I love how the use of multiple instruments exposes the lack of musicianship in the original.
  • Mike Tompkins – Wow.  Hilarious dancing.  Creativity.  Facial expressions to die for.  A tambourine.  This is the complete package folks.

There was one other rendition that I loved, but I’m not going to post the video here.  I like to keep this space PG, and this video is solidly in the PG-13 category.  But if you can deal with it (and the fact that it’s technically a medley with Party in the USA at the end), you can hit the link.  Be forewarned…you might tinkle in your pants.

Renew and Restore

Tags: ,
September 20, 2010

my second favorite family tradition

This past weekend we (once again) ventured to Winfield, KS for the Walnut Valley Festival.  For my inlaws, it’s been a family tradition for over 35 years.  Four straight days of camping and bluegrass music.  Before marrying into this family I never really fancied myself a bluegrass man.  And yet, less than a decade in and I’m strongly considering taking up the mandolin.

The bluegrass scene doesn’t need me, that’s for sure.  The professionals at this festival are absolutely unreal with the speed and accuracy with which they play their guitars, banjos, mandolins, string bass and assorted other instruments.  And don’t even get me started on the surgical accuracy with which they can weave together vocal harmonies.

But I would add something unique to the bluegrass community with my mandolining: the fusion of bluegrass and hip-hop.

On first blush the idea sounds insane.  But it’s genius.  Trust me.  What you don’t know about modern bluegrass is that it’s very much bass driven. My favorite band at the festival has a female lead singer from Australia who rocks the electric bass*. And even though practically none of the acts had drums, there was percussion all over the place.  Players beating on their guitars, plucking strings, the whole nine yards. And I couldn’t help but think you could do some phatty covers, as well as some pretty sweet original cuts if you threw some spoken verses over the instrumentals. 

*Go buy an album from The Greencards right now. Do it. You’ll have no regrets. It’s some really progressive stuff with what appears to be Greek or Italian influences.

So if you know any hip hop fans that play a mean banjo, point them my way.  I’m not saying we’d be the next big thing.  But we would be something. I don’t want to be big star bound, anyway.  Someone once told me it’s a long, long ride.

September 13, 2010

lady gaga, prayer and the mtv vma’s

Last night I was grading Christian Doctrine papers with the MTV Video Music Awards (VMA’s) on in the background.  Talk about an event made for the DVR.  I must have cut half the time off of my viewing by fast forwarding through all of those 8-minute commercial breaks.  Unfortunately, I wasn’t paying full attention and accidentally caught the Jersey Shore folks doing their thing.  I had managed to completely avoid that train wreck up until that point.  At least it was a short scene.  I think I only lost 80 dozen brain cells.

Truth be told, if my wife had not been on call there is no way I would have watched the VMA’s in their entirety.  She would have mocked me into submission and shame 30-seconds in.  She’s just a better person than I.  I’m just a sucker for the pop culture Cliff’s Notes that the event serves as.  A lot of what I saw was just confirmation of stuff I already assumed (Eminem is a crazy genius, Justin Bieber is totally overrated, Usher can dance, MTV has no moral compass, as long as people getting smacked in the face is funny the Jackass crew is going to keep printing money), but there were some revelations (Lady Gaga can really sing, MTV still shows music videos).

The other thing about the night that didn’t surprise me? Pop music artists give awful speeches.  No stunner there.  The epitome came when Lady Gaga won her third (I think) award and ran out of words.  As she was getting off the stage she just went with what popped into her head.

“God bless pop music, and God bless the VMA’s”.

Interesting.

I stopped grading for a hot minute, and started thinking about what would happen if God heard and responded to that statement.  What would that look like?  The Pat Robertsonian school of theology would postulate that there could be no redemption in the night.  God’s only recourse would be to ignore the proceedings or open up a hole in the ground and swallow the whole thing up.

I really wanted to hit the Twitter with a GaGa blast, but I didn’t.  Apparently at the ripe age of 30 I’ve learned some self-restraint.  Somebody get me a cookie.

Then the most amazing thing happened…Taylor Swift took the stage.

I’ve never thought much of Swift.  A lot of that has to do with the fact that I really don’t care for Carrie Underwood, and I get the two of them confused all of the time.

But last night Taylor Swift differentiated herself.  Not just from Carrie Underwood but from pretty much all of us that have a hard time forgiving people She debuted a song that I consider the MTV version of forgiving your neighbor 70×7 times.  After what happened last year she could have big timed Kanye and nobody would have thought any less of her.  She could have clowned him.  She could have done any number of things.  But in the end, she forgave him.  She complimented him.  She encouraged him. She told the world to let that cat off the hook.

And she did it in an emotionally vulnerable and musically powerful way.

I’m convinced that God heard Lady Gaga and answered her prayer.  If for only five minutes, Swift redeemed the VMA’s.  God found a way to bless both pop music and the VMA’s.

It was pretty incredible.

And that Linkin Park follow up wasn’t a shabby encore of depth and spiritual presence, if I do say so myself.

Renew and Restore

Tags: ,
June 9, 2010

wednesday watchlist: how to elicit the wife’s eye roll

I’m a singing kinda dude.  There are always songs running through my head, and a lot of the time they make their way down to my mouth.  My beautiful music can bring joy to those around me.  Unless you’re around me all of the time.  Then you start to hear the repeats, and you also end up hearing the unfiltered playlists.  Nothing raunchy.  Just the stuff that would make you look at me crazy if you heard me sing it.  Which my wife does.

There are a few songs that have been stuck in both my head and my mouth for a number of weeks, against the wishes of my wonderful wife.  Those songs make up this week’s Watchlist:

  1. Pants on the Ground – Alice has been known to believe six impossible things before breakfast.  I’ve been known to make up six variations of Pants on the Ground before breakfast.  It’s just so catchy, and has so many possibilities.  It’s amazing how many different phrases you can plug into the “Pants on the Ground” portion of the song.  Pretty much anything that would have one “lookin’ like a fool”.
  2. I Wear No Pants – Not sure what it is about me and pants and them not being where they are supposed to be.  But that commercial is hilarious and catchy.  A little too catchy.  My daughter has started singing it on a regular basis.  How funny that is probably depends on if you are said daughter’s mother or her father.
  3. Get Down With the G-Dogg – No video for this one.  The Manny and I made it up eight years ago when we were living together in a house that had no dishwasher.  We’d stand at the sink doing dishes and making up random hip-hop songs with dances to go with.  This particular song only contains the five words that make up the title, but it’s still good.
  4. Freak My Leg – There’s a story behind this song that dates back to my days at a conservative midwestern Christian college, but I’m not going to tell that story.  Just know the lyrics to the song go, “Freak my leg…Freak my leg…bootybootybootybootybootybootybooty”.  Not sure why Stacy can’t see the charm in that.
  5. Empire State of Mind – This is the only song on the list that Stacy likes the original version of.  But she doesn’t love my version because I don’t have the voice Alicia Keys has.  Don’t make me no nevermind.  But my singing did cause Stacy to ask the other day, “Isn’t that the type of song that makes you wish you had a really good voice so that you could just belt it out?”  I’m not taking the hint.

Renew and Restore

Tags: ,
May 18, 2010

the voice of the poor and the oppressed

I love it when Hip Hop and art come together.  I also love it when artists find a way to effectively share what Hip Hop is in a way that helps people see there is some depth in the genre.

20 seconds into the film I was stopped cold by a series of statements.

It’s the only voice the young people have.

It’s the only voice the poor people have.

It’s the only voice the oppressed people have.

I was engaged by those statements on two levels.

Are those statements true?

Does the church have a legitimate claim that it is a dominant voice for those three groups?

With regard to the first question…No.  Hip Hop at times can be an effective voice for the young, poor and oppressed.  Some have proclaimed that Conscious Rap is dead and buried.  I tend to think that point of view is a bit too Chicken Little, but it’s true…mainstream rap certainly doesn’t seem all that prophetic.  Between 1/3 and 1/2 of Jay-Z’s catalog tells the story of the urban black experience.  They you have The Roots, Mos Def and a handful of others who spit depth from the fringes of the mainstream.  But for the most part it’s just so…How does K’Naan put it in his live performances?…”If it wasn’t bling bling, then it was N’Sync”?…Yeah.  Like that.

Dealing with the corpus of work, it’s easy to argue that hip-hop as a whole does more to hurt the plight of the young, poor and oppressed than it does to help.  As an institution it perpetuates dysfunction and oppression.  So it’s probably more accurate to admit that certain segments of hip-hop are A voice for the young.  A voice for the poor.  A voice for the oppressed.

And that’s probably where The Church stands as well.  It’s A voice.  And quite frankly, it’s a far better voice for the young than it is for the poor and the oppressed.

This is the point where people freak out and drop me as a Facebook friend.  I’m sure I don’t understand, because the Church gives money to the poor and the oppressed and blahblahblah.  And your church has a strategic partnership with an urban ministry.  And a bunch of churches got together to do a serve day recently.

Neat.

I’m not saying the church doesn’t do anything for the poor and oppressed.  I’m just saying they aren’t a dominant voice.  Dominant voices have platforms, and platforms require means.  And when you have the type of means that get you a high platform, you risk a lot when you are really, truly a voice that advocates for a group of people who look demographically very different from the group you roll with.

Look, every year we do Year End Wrap Ups with our leaders.  And the one thing every single first year leaders says is that they never really understood what kids in the ‘hood face until they came down and worked with them for a year.  And at that point, some of the leaders tend to become more passionate.  They do become a voice for the poor and oppressed, and that voice has an authenticity to it because it tells real stories and resonates with real experiences.

And then those leaders get frustrated because the people who sit in the pews with them are either deaf to or misconstrue the urgency of this new voice.

Hip Hop has a potential to be a loud and resonant voice for the poor and the oppressed.

The Church has the potential to be a loud and resonant voice for the poor and the oppressed.

Both have a lot of work to do.

Renew and Restore

Tags: ,
December 15, 2009

anticipating the roots of change

I might soon be awarding the title of “favorite band” to a new group. For the past few years, U2 has held it down. More than a lot of folks, I even appreciated their last album in spite of the fact that it doesn’t have a lot of radio hits. It seemed like they were trying some different things on the musical end, accompanied by lyrics that had some nice depth.

But for the past couple of years, a new crew has been creepin’. The Roots Crew from Philly, to be specific. They’ve always been on my broad radar. Well, ever since high school when they first started droppin’ albums to the mainstream. But it took some age and experience for me to really appreciate what they bring to the table as the hardest working group in hip-hop.

Lyrically, the group is prophetic. In terms of forthtelling (explaining a current reality), they do it better than anyone. Ultimately, this comes back to haunt them when it comes to mainstream success. I’ve heard a lot of white people express fatigue when they listen to The Roots. I get that. There is a lot in their lyrics that requires a certain amount of contextualization to get the full effect. It does take a lot of mental energy to listen to their lyrics and understand what they are saying. And then it takes more energy to deal with the issues of race and inequality that they bring up. So if you listen to music simply to be entertained, fine. But if you want music that will make you think, there you go.

On the music side of things, there are only two things you need to know: six of the groups seven members play an instrument, and one of those members plays the sousaphone (Damon “Tuba Gooding Jr.” Bryson). Listening to what they were able to do on Jay-Z’s Unplugged album and their own live album have convinced me I NEED to see them live in the near future. Their musical versatility has been on display this year on Late Night with Jimmy Fallon, and I’ve noticed that when they are invited to play with musical guests they bring a professionalism and uniqueness to the performance. Yeah, they do well when they play with hip-hop acts, but they also tear it up with artists of other genres as well. My favorite of all time is ?uestlove’s drumming with Sara Watkins.

For the record, I’ve yet to officially rearrange my rankings.  The Roots still need to drop their latest album.  According to their website, it was set to release 10/20/09.  Trust me.  It’s not out yet.  But when it comes out it could tip the scales. In the interest of fairness, I also want to catch both The Roots and U2 live this summer to help with this epic decision.

I’m also willing to accept written, verbal and in person pitches from members of either group.  Just in case they are interested.
Renew and Restore

Tags:
December 10, 2009

reflection: star wars in concert

h/t Docking Bay 94

That trailer is interesting, but it doesn’t get me hyped. As a historical piece, it’s interesting. But it’s at a disadvantage for a handful of reasons. C3PO’s voice needs a little auto tune. Seriously wonky narration. Darth Vader and Obi Wan are using neutral-colored light sabers. The Star Wars logo is in blue.

There is one aspect of the trailer that stands out above the rest: the generic B-track music. A couple of chords gaining in volume and intensity. That’s it. In context, it’s not a big deal. This was the first trailer for the film, after all. But it’s still strange to watch without the iconic Star Wars music.

Last night I had the chance to experience that iconic music in a whole new way. My in-laws got me tickets to Star Wars: In Concert, and it was incredible. The Royal Philharmonic presented music from all six films. Synchronized montages from the films accompanied the music on what looked to be HD on a gigantic LED screen. I was blown away by the picture quality to the point where I really want a Blue-Ray player specifically to watch Star Wars. The icing on the cake had to be the lasers and choreographed lighting. For a dude who wore out a few VHS cassettes watching the films over the years, it was a multi-sensory joy. Oh, and it was narrated live by Anthony Daniels (C3PO).

I literally got chills on five separate occasions: when the show started off with the THX theme, at the first brass blast of the main theme, during Duel of the Fates, and both times the Imperial Death March was played.

The whole experience was just really well done, which it had to be considering how ridiculous attentive to detail we Star Wars faithful can be.  But the buzz on Twitter last night was mostly positive in spite of all our expectations heading into the night.

Random Thoughts:

  • My one criticism: not enough Chewbacca.  I could be wrong, but I only remember a single Wookie howl in the whole show.  Wookies are like cow bell…you can always use more.
  • There were so many kids at the show.  Good to know the legacy is being passed down to a new generation.
  • I can’t imagine the logistics of setting up a show like this.  It was in an arena, so the sound had to be big.  I noticed that every single instrument had a small mic on it.  Can you imagine being in charge of that sound board?
  • Not as many concert attendees in concert as I anticipated.
  • The show exceeded my wife’s expectations.  She’s not into the Star Wars thing, so that’s a win.
  • Darth Vader is the best villan ever.
  • The Imperial Death March LOOKS really cool when it’s being played.  So much precision from the strings.

If the show comes to your town, go see it.

Renew and Restore

Tags: ,
September 21, 2009

winfield in words

Contrary to conventional wisdom, a camping trip with a three-year-old and a four-month old can be fun.  Heading into such an adventure I was skeptical.  But it was nice.

This past weekend we made a family trip to the Walnut Valley Festival.  Stacy’s family has a lot of history with the event, having attended for most of the 38 editions.  The fairgrounds at Winfield have seen a lot of rising bluegrass stars come through over the years, before most people had ever heard names that would later become very familiar. New Grass Revival, Alison Krauss, The Dixie Chicks and Nickel Creek are all alums.  The event is legit.

I’m glad we are getting our kids hooked at a young age.  Other than a jazz solo, there is nothing quite like the pace of a good bluegrass joint when it really gets humming.  The ability to play a piece of music as fast as possible without ever sounding out of control is part practice and part special talent, but it’s all amazing.  I can be entertained by skillful banjo/guitar/mandolin pickers all day.  (And lest you think I sat around all weekend listening bunch of old men farting around on their banjos, you should check out The Greencards and Mountain Heart.  Bluegrass is a changin’.)

Renew and Restore

Tags: ,
June 2, 2009

self awareness: bitterness

I haven’t always been the best forgiver.  If I decide I’m going to hold a grudge, I hold it for a long time.  It’s not my most enduring character trait.  There are only two things that keep the habit from completely derailing me.  It helps that I don’t rage when I get mad.  I just shut down.  I know, I know.  Really mature of me.  But before you think I just sit around and pout all day, know that the other aspect of my grudge-holding that keeps things in check is the fact that I rarely get mad enough to go defcon-5.  I manage to stay light and even keel, for the most part.

This particular ray of self awareness was brought to my attenion this weekend as I was mowing the lawn.  It’s where I do most of my good thinking, really.  That and the shower.  But everybody thinks well in the shower.  The steam clenses your brain pores.

Anyway, I’m mowing and listening to music.  Working my way through Wyclef’s Carnival Vol II.  I was struck by how good the album was.  Not just a little good, but really good.  Which then led me to be struck by the fact that I hadn’t given it much run.  Ever.

And then I came to a startling realization: I was still bitter toward Wyclef over my perception that he was responsible for breaking up the Fugees.

Funny thing is that I don’t exactly KNOW he broke up the Fugees. It’s just a guess.  Pras doesn’t seem smart enough to orchestrate something like that, and Lauryn Hill seems too nice.  John Forte?  I don’t think so.  So it must have been ‘Clef.  Maybe.

The bummer in the situation is that I’m the one who missed out. I missed out on good music, because I didn’t want to listen to Wyclef based on conjecture, hearsay and assumption.  If my assumptions are true, the other Fugees didn’t need me holding grudges for them.  They didn’t ask me to, and nobody has sent me a thank you note.  And even if they did, it’s not exactly playing the role of the peacemaker.  So I apologize.  Because sometimes I jump to conclusions and sometimes I hold grudges way too long.  And in the end, I’m the one who misses out.

Renew and Restore

Tags:
April 23, 2009

reflection on a dustland fairytale

If you have been following my tweets this week, there has probably been one post each day that has elicited one of two responses from you. You might have read the tweets and been perplexed by the fact that they seemed somewhat nonsensical. Or, you might have correctly figured out that I’ve been listening to the Killers new album a lot lately.

The whole album is good, but I’m particularly fascinated with A Dustland Fairytale.  My obsession started when I heard the line, “I saw the devil wrappin’ up his fists/He’s getting ready for the showdown”.  It is such a vivid image, and something I could would expect from Pauline literature.  My ear was also alerted because the Killers aren’t known for being one of those bands that throws spiritual stuff into the middle of a song.  Then it really stood out later in the song when they proclaimed, “We persevere, God gives us hope/But we still fear what we don’t know/The mind is poisoned”.

So I started listening to the song again.  And again.  And againandagainandagainandagainandagain.

I got addicted to the way the music builds for 3 minutes and 29 seconds before just running you off a cliff.  Every time I get to the end of the song, there is a part of my brain that refuses to believe the song could end like that.  Thus, I go back to the beginning.  And each time I find another line that strikes me with a level of detail I rarely hear in songs.  It’s funny, because for the longest time I couldn’t even tell you what the song is about.  But I could quote most of the lines, because they all stand out to me.  (I’ve since read it’s about the lead singer’s mother dying from cancer)

Here is the song, complete with lyrics.  I suggest listening to it with proper speakers.

Renew and Restore

Tags:
Follow

Get every new post delivered to your Inbox.

Join 427 other followers